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"On the erudite sources for the iconography of Raphael's frescoes in the Stanze (Rome, Vatican): comments on the initial importance of Beato Amadeo, transmitted particularly by Pietro Galatino and Giorgio Benigno; and traces the shift in the program that occured while the Stanza della Segnatura was in progress, ascribing this to Neo-platonism and the influence of Egidio da Viterbo and Cristoforo Marcello" (BHA).
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