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'First examines the treatment of landscape in works from the 1510s in light of Franceschini's discovery that the Costabili polyptych (Ferrara, Pinacoteca nazionale) dates from 1513; notes the influence of Titian and Giorgione; and remarks that as early as ca. 1514 Dosso was painting works that correspond to Pliny's concept of the parergon' (BHA).
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