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"The Ovetari Chapel (Church of the Eremitani, Padua) was the defining moment of the Paduan Renaissance. Part 1 (chs. 1-3) discusses the patronal family, their relationship to the chapel and Antonio Overtari's testary provisions for the decoration. Part 2 (chs. 4-7) rconstructs the chronological and attributional history of the Chapel's embellishment (1448-1457). Three appendices provide 25 documents, published and unpublished, e.a. the date of Mantegna's St. Christopher frescoes".
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